Metawave

Rise of the Soul · Token Detail

Rise of the Soul #532

Rise of the Soul is a visual pilgrimage through Dante’s Divine Comedy, reimagined as a hand‑painted animated world. The collection moves from the depths of Inferno to the cleansing slopes of Purgatorio and the vast luminous harmony of Paradiso. The style is lyrical and cinematic: soft brushstrokes, watercolor textures, floating embers and petals, atmospheric perspective, and a single small pilgrim or group of figures travelling through epic landscapes. Inferno pieces are the rarest — violent crimson caverns, rivers of fire, spirals of stone and storm — while Purgatorio scenes of mist, dawn and climbing stairways are uncommon. Paradiso is the most abundant: wide open heavens, golden clouds, concentric rings of light, and cities that seem to be built from music and air. No graphic horror, only symbolic fire and shadow; no literal theology debates, only the ascent of a soul toward light.

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Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.

This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.

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Spectra is a study of matter revealed as light.

Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.

Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.

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Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.

Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.

Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.

Mint at $36 · Prints from £40
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