Refractions · Token Detail
Refractions #533
Each Refractions token is composed as a high-end still-life photograph: a controlled studio setup where light passes through a chosen material — a glass, a prism, a lens, a crystal, a shallow pool, a film — and paints complex refraction and caustic patterns onto the scene.
Materials range from clear glassware and optical blocks to cut crystal, gemstones, soap bubbles, droplets on glass and thin films. Light might be a single tight beam, a soft diffuse panel, coloured LEDs or direct sunlight.
The results include warped backgrounds, spectral rainbows, sharp caustic streaks, overlapping refraction fields and micro-details that reward close viewing. Everything remains physically plausible; nothing is surreal or cartoonish.
Token information
- Collection
- Refractions
- Token ID
- #533
- Object / Medium
- Thick Glass Block
- Light Source
- Narrow Collimated Beam
- Refraction Pattern
- Soft Caustic Patch on Surface
- Colour System
- Cool Blue-Shifted Light
- Background / Surface
- Soft Grey Gradient
- Camera / Composition
- Top-Down Layout
- Rarity
- Common
Owner information
More from Refractions
Other Collections
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.