Refractions · Token Detail
Refractions #417
Each Refractions token is composed as a high-end still-life photograph: a controlled studio setup where light passes through a chosen material — a glass, a prism, a lens, a crystal, a shallow pool, a film — and paints complex refraction and caustic patterns onto the scene.
Materials range from clear glassware and optical blocks to cut crystal, gemstones, soap bubbles, droplets on glass and thin films. Light might be a single tight beam, a soft diffuse panel, coloured LEDs or direct sunlight.
The results include warped backgrounds, spectral rainbows, sharp caustic streaks, overlapping refraction fields and micro-details that reward close viewing. Everything remains physically plausible; nothing is surreal or cartoonish.

Token information
- Collection
- Refractions
- Token ID
- #417
- Object / Medium
- Glass Sphere
- Light Source
- Single White Beam
- Refraction Pattern
- Simple Single Bend
- Colour System
- Warm Golden Light
- Background / Surface
- Seamless White Backdrop
- Camera / Composition
- Straight-On Product Shot
- Rarity
- Common
Owner information
More from Refractions
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Caustic




Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Trace




Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Spectra




Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.


