Redemption · Token Detail
Redemption #216
Redemption is a 400‑piece generative art collection created as a visual journey through Lent. Each artwork is a charcoal‑and‑ink meditation on the mystery of suffering and mercy: a bowed head under a crown of thorns, hands clasped in prayer, a veiled figure in shadow, arms outstretched in a cruciform gesture, or simply a beam of light breaking into darkness. The style is stark and devotional — high‑contrast chiaroscuro, rough hand‑drawn texture, large fields of negative space, and a mostly monochrome palette with a single accent of blood‑red, gold or Lenten violet. There is no graphic violence, only symbolic hints: drops, thorns, nails, rays of light. Redemption asks what grace looks like when all that is left is charcoal, paper, and a quiet yes.
Token information
- Collection
- Redemption
- Token ID
- #216
- Subject
- Bowed Head with Thorns
- Composition / Scale
- Half-Length Figure
- Light Source
- Side Light Carving the Face
- Palette
- Pure Charcoal Monochrome
- Background / Space
- Bare Paper with Light Grain
- Symbol
- No Explicit Symbol
- Emotional Tone
- Penitent Surrender
- Rarity
- Common
Owner information
More from Redemption
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.