Planktos · Token Detail
Planktos #25
Every Planktos artwork is built from traits that describe a microscopic seascape: organism form, shell architecture, translucency, colour spectrum, bioluminescent markings, background environment and energy state. The resulting images feel like macro photographs taken at impossible resolution — fragile, luminous structures floating in still water, part scientific illustration and part dream.
Token information
- Collection
- Planktos
- Token ID
- #25
- Organism Form
- Diatom Rod Chain
- Shell Structure
- Fine Radial Lines
- Bioluminescence
- Faint Radial Lines of Light
- Colour Spectrum
- Pale Aqua and Teal
- Environment
- Deep Blue Haze
- Energy State
- Barely Trembling
- Focus and Framing
- Foreground Sharp, Background Soft
- Rarity
- Common
Owner information
More from Planktos
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.