Lithica · Token Detail
Lithica #46
Each Lithica artwork is composed from traits including mineral type, cut or formation, surface texture, translucency, arrangement style, palette and lighting. The result is a refined, contemporary still-life image blending geological realism with spiritual ambience, perfect for collectors seeking beauty, serenity and premium generative art.
Token information
- Collection
- Lithica
- Token ID
- #46
- Mineral Type
- Fluorite Tower
- Formation / Cut
- Faceted Gemstone
- Palette
- Icy Blue and Silver
- Lighting
- Cool Diffused Daylight
- Backdrop
- Desert Stone Pedestal
- Rarity
- Uncommon
Owner information
More from Lithica
Other Collections
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.