Katheros · Token Detail
Katheros #115
Katheros is a 444-piece geometric fine-art collection exploring purity of form. Each artwork is generated from structural traits like mandalas, wave interference, lattices, spirals and impossible shapes, paired with restrained palettes ranging from black-on-white to rare gold, vermilion and spectral multicolour variants. Line weight, ink texture, symmetry and density shape each composition, creating pieces that feel mathematical, meditative and quietly elegant.
Token information
- Collection
- Katheros
- Token ID
- #115
- Structure
- Lattice / Grid
- Palette
- Vermilion Red
- Line Weight
- Mixed Weights
- Symmetry
- Imperfect Sacred Symmetry
- Density
- Dense
- Ink Texture
- Ink Bleed
- Composition
- Tightly Framed Geometry
- Rarity
- Uncommon
Owner information
More from Katheros
Other Collections
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.