Mint
Jesus
555 Tokens
A devotional series of copper‑wire portraits and scenes drawn from the life of Christ.
Each work offers a quiet moment of recognition — mercy, dignity, and peace held in stillness, with subtle colour accents.
Investment Warning
Cryptoassets are unregulated in the UK. Their value can go down or up, and you could lose all the money you invest. NFTs are not suitable for everyone. Please do your own research.
How minting works
Users connect their wallet using the Connect Wallet button in the header once minting is live.
Whitelist and public sale phases are managed by signatures and on-chain checks to ensure fairness.
Mint pricing and limits per address are enforced by the smart contract to maintain integrity.
Minting is on the Base blockchain, using USD Coin (USDC) for payments to minimize fees and ensure stability. A small amount of gas is needed on Base (Base ETH) to complete the transaction.
Minting is best performed on a desktop browser with MetaMask or a similar wallet extension for optimal experience. Alternatively, if you're on mobile, open the wallet's built-in browser (e.g., MetaMask mobile app) to mint directly.
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.