Manifesto
Inked
444 Tokens
Inked is a celebration of the marks we choose — a 444-piece generative fine-art collection exploring skin as a living canvas where ink, identity, story and light converge. Each portrait captures a moment of personal mythology rendered in photoreal detail: men and women of diverse backgrounds shown in partial, intimate views, their tattoos ranging from minimal fine-line symbols to complex compositions, all framed in soft, cinematic light that honours the body as both artwork and archive.
Skin as Story
Inked begins with a simple idea: our skin can become a record of what matters. A small symbol on a wrist, a line of script along a collarbone, a full back piece bursting with myth — each mark is a chapter. None of them are random. Even the spontaneous ones come from a moment, a feeling, a dare, a loss, a promise.
In this collection, the body is not an object to be displayed. It is a page on which a story has been written. The camera looks with curiosity and respect.
Diversity in Ink
The collection spans men and women of many backgrounds and skin tones. Warm browns, deep mahogany, freckled shoulders, olive arms, pale wrists — each surface changes how ink reads, how lines glow or recede.
Designs range from delicate fine-line botanicals to bold blackwork, from minimal symbols to layered sleeves. Some are tiny and solitary; others wrap whole limbs. Together, they form a chorus of visual languages.
Photoreal, Cinematic, Intimate
Inked presents its subjects in soft, cinematic light: studio backdrops, window light across shoulders, moody evening tones around hands and necks.
Backgrounds stay simple so the viewer can trace each line of ink, each curve of anatomy. The mood is quiet, contemplative, occasionally fierce — but never exploitative. These are portraits, not advertisements.
Choosing to Be Seen
Above all, Inked is about agency: the decision to mark oneself, to claim a visual identity that moves with you through the world.
To collect from this series is to hold a fragment of that decision — a reminder that identity is something we build, honour and sometimes rewrite in ink.
Other Collections
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.