Inked · Token Detail
Inked #317
Inked is a 444-piece generative collection that treats tattooed skin as a living gallery wall.
Each artwork focuses on a real-world tattoo placement — forearms, hands, shoulders, backs, ribs, necks, ankles and more — photographed or rendered in a photoreal, cinematic style. Traits define body area, ink style, theme, scale, colour palette, setting and lighting, allowing the system to generate a broad diversity of designs and subjects while keeping the mood cohesive: respectful, intimate, artful.
Skin tones range widely and intentionally, celebrating global diversity and how ink behaves across different complexions. Designs include botanicals, animals, sacred symbols, constellations, geometric forms, script and abstract marks. The result is a portrait series that balances realism with curation, making each token feel like a still from an unseen tattoo photography book.

Token information
- Collection
- Inked
- Token ID
- #317
- Subject
- Man
- Skin Tone
- Medium
- Placement
- Calf or Lower Leg
- Tattoo Style
- Line and Dotwork
- Tattoo Theme
- Botanical / Flowers / Leaves
- Ink Palette
- Black and Soft Grey Shading
- Setting
- Soft Fabric or Bed Setting
- Lighting
- Soft Natural Window Light
- Rarity
- Common
Owner information
More from Inked
Other Collections
Katheros




Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.


