Infernalis · Token Detail
Infernalis #220
Each Infernalis token is a doorway into the same unseen building.
You meet one person at a time: a young woman at a balcony, an older man in a marble hallway, a figure of no clear age paused beneath an archway. Their skin is always bleach-white, their lips always red — a fixed signature that binds the collection together like a dress code no one has explained.
Around that constant, everything else shifts. Faces grow older or younger. Hair appears or disappears, sometimes hidden under hoods, sometimes falling dark, pale or blood-red against the light. Eyes change colour and character — soft, guarded, distant, attentive. Rooms appear and reappear: staircases, courtyards, interiors lined with fabric and shadow.
Nothing overtly dramatic happens in these images. There are no monsters, no symbols to decode, no explicit narrative. Yet each portrait feels like a moment taken from a longer story: someone waiting to speak, or to leave, or simply to outlast the silence.
Seen together, the collection feels less like a gallery of characters and more like a single, continuous place that you are slowly learning how to walk through.

Token information
- Collection
- Infernalis
- Token ID
- #220
- Gender
- Man
- Age
- Young Adult
- Hair
- Shorn or Hooded
- Eyes
- Deep Hazel Eyes
- Scene
- Fogged Courtyard
- Garment
- Structured Cloak
- Composition
- Three-Quarter View
- Rarity
- Common
Owner information
More from Infernalis
Other Collections
Trace




Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Spectra




Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.


