Manifesto
Glitch
512 Tokens
Glitch is the theology of creative collapse — a testament to what emerges when systems break with purpose.
Generative Destruction
Every Glitch piece begins with order. Geometry forms with precision — aligned planes, measured blocks,
intentional spatial logic.
Then the destruction starts.
Edges shear. Colours misregister. Structures collapse.
The algorithm is forced into improvisation, rewriting itself through failure.
What emerges is not ruin, but reinvention.
The Machine Reborn in Error
In Glitch, collapse is not the end — it is the generative spark.
A misaligned channel becomes a new colour. A broken grid becomes new perspective.
A corrupted layer becomes unexpected texture.
The system is always breaking, always rebuilding.
Beauty in the Breaking
Glitch invites the viewer to witness creation through destruction —
a world where every fracture seeds a new form and every error reveals deeper complexity.
The system breaks, and something new is born.
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.