Metawave

Form · Token Detail

Form #697

Form treats each object as a physical artefact: coherent volume, unfamiliar topology, exacting surface and controlled studio light.

Generation 043
Form #697

Token information

Collection
Form
Token ID
#697
Topology
Shell
Complexity
Moderate
Curvature
Gentle
Openness
Open
Symmetry
Symmetric
Silhouette
Compact
Finish
Brushed
Colour Family
White
Presentation
Resting
Lighting
Rim lighting
Rarity
Common

Other Collections

Generation 029
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Trace

Trace #8
Trace #77
Trace #36
Trace #30

Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.

Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.

Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.

Mint at $36 · Prints from £40
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Generation 028
Released

Chairs

Chairs #54
Chairs #92
Chairs #60
Chairs #81

Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.

Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.

The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.

Mint at $72 · Prints from £45
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Generation 035
Released

Remanence

Remanence #7
Remanence #2
Remanence #13
Remanence #8

Remanence is a study of the human face recorded as light over time.

Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.

These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.

Mint at $115 · Prints from £60
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