Fjords · Token Detail
Fjords #189
Each Fjords token is a complete cinematic landscape: mountain walls, deep water, atmospheric layers, realistic clouds, snow or rain, and light behaviour consistent with high-end photography.
Scenes include dawn mist, heavy storm fronts, lightning strikes, aurora nights, winter whiteouts, and glass-calm golden hours. Human presence — a cabin, a ship, a road — appears rarely and subtly.
The result is an intimate portrait of northern wilderness, captured as if by a travelling photographer.
Token information
- Collection
- Fjords
- Token ID
- #189
- Time of Day
- Golden Hour
- Season
- Summer Clarity
- Atmosphere
- Clear & Crisp Air
- Fjord Composition
- Wide Basin Fjord
- Human Presence
- None
- Camera POV
- Cliffside Overview
- Rarity
- Common
Owner information
More from Fjords
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.