Manifesto
Dust
333 Tokens
Dust is a language written in chalk — an alphabet of forms that remembers the hand that made it.
The art of residue
Dust begins with the beauty of what remains: the smudge that follows a gesture, the faint circle left after an imperfect sweep, the quiet grain of paper resisting the pigment.
The project embraces the idea that abstraction is not emptiness, but accumulation. Shapes interlock, collide, or almost miss each other. Lines hesitate before continuing. Colour appears in soft, powdered intervals. These aren’t diagrams. They’re traces of moments.
A generative studio
Dust was built as a simulation of an artist’s chalk table: controlled pressure, layered strokes, pigment spread, imperfect erasure. The system chooses relationships between forms — alignment, tension, rhythm — giving each piece a sense of intention without removing the natural unpredictability of mark-making.
The result is not randomness, but quiet deliberation.
A place for the viewer
Abstract art invites participation. Dust offers compositions that are open enough to hold many interpretations: maps, constellations, symbols, architectures, or simply moments of balance.
The work does not tell you what it is. It waits for you to decide.
Other Collections
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.