Dust · Token Detail
Dust #263
Each Dust token is a unique chalk composition built from layered forms: faint circles, rigid lines, drifting arcs, soft pastel blocks and erased traces. The textures mimic real paper and real pigment — pressure marks, smudges, ghost lines and powdered residue.
The collection balances strict geometry with human irregularity, producing works that feel both mathematical and handmade: blueprints for something that might exist only in the imagination, or memories of drawings left overnight on a studio table.
Token information
- Collection
- Dust
- Token ID
- #263
- Geometry
- Offset Radial Map
- Color Accents
- Muted Coral Accent
- Paper Texture
- Heavy Tooth Paper
- Composition
- Minimal Sparse Form
- Motion / Erasure
- Overdrawn Lines
- Rarity
- Uncommon
Owner information
More from Dust
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.