Dust · Token Detail
Dust #242
Each Dust token is a unique chalk composition built from layered forms: faint circles, rigid lines, drifting arcs, soft pastel blocks and erased traces. The textures mimic real paper and real pigment — pressure marks, smudges, ghost lines and powdered residue.
The collection balances strict geometry with human irregularity, producing works that feel both mathematical and handmade: blueprints for something that might exist only in the imagination, or memories of drawings left overnight on a studio table.
Token information
- Collection
- Dust
- Token ID
- #242
- Geometry
- Layered Shapes
- Color Accents
- Dust-Yellow Accent
- Paper Texture
- Heavy Tooth Paper
- Composition
- Dense Cluster
- Motion / Erasure
- Ghost Shapes
- Rarity
- Uncommon
Owner information
More from Dust
Other Collections
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.