Caustic · Token Detail
Caustic #272
Each token features a simple geometric form — often a circle or square — set against a soft neutral field. The form is then attacked by caustic forces: acid-burnt edges, blistered gradients, dissolved pigment, and harsh corrosive streaks of light.
The contrast between purity and destruction defines every piece.
Token information
- Collection
- Caustic
- Token ID
- #272
- Geometry
- Square
- Palette
- White on Charcoal
- Corrosion Type
- Edge Burn
- Light Caustics
- Diagonal Etch Lines
- Surface Texture
- Matte Pigment
- Rarity
- Common
Owner information
More from Caustic
Other Collections
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.