Caustic · Token Detail
Caustic #104
Each token features a simple geometric form — often a circle or square — set against a soft neutral field. The form is then attacked by caustic forces: acid-burnt edges, blistered gradients, dissolved pigment, and harsh corrosive streaks of light.
The contrast between purity and destruction defines every piece.
Token information
- Collection
- Caustic
- Token ID
- #104
- Geometry
- Dual Shapes
- Palette
- Eroding Tri-Tone Field
- Corrosion Type
- Blister Collapse
- Light Caustics
- Caustic Overexposure
- Surface Texture
- Scorched Material
- Rarity
- Epic
Owner information
More from Caustic
Other Collections
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Spectra
Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.