Bugs · Token Detail
Bugs #124
Every Bugs token is built from traits that describe a photographic situation: the species in view, the surrounding environment (flower, leaf, moss, bark, water edge), the time of day and lighting, the insect's pose, the focus point and depth of field, and any surface details such as dew or pollen.
The visual style is strictly ultra-realistic macro photography. Insects must be anatomically correct for their species: the correct number of legs, accurately placed antennae, proper segmentation, believable wing structure and realistic eyes and mouthparts. Backgrounds fall away into soft bokeh, while the subject is rendered with crisp, clean detail. Each image aims to feel like a real photograph you could have taken by lying in the grass and waiting for the right moment.

Token information
- Collection
- Bugs
- Token ID
- #124
- Species
- Stag Beetle
- Environment
- Water Edge or Pond Plant
- Time of Day
- Blue-Hour Dusk
- Lighting
- Low-Angle Warm Light
- Focus and Lens
- Diagonal Composition Across Frame
- Surface Detail
- Heavily Dew-Covered
- Rarity
- Rare
Owner information
More from Bugs
Other Collections
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Spectra




Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Trace




Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.


