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555 Tokens
A collection of photographic collages reimagined through architectural linework, merging realism with analytic drawing.
Investment Warning
Cryptoassets are unregulated in the UK. Their value can go down or up, and you could lose all the money you invest. NFTs are not suitable for everyone. Please do your own research.
How minting works
Users connect their wallet using the Connect Wallet button in the header once minting is live.
Whitelist and public sale phases are managed by signatures and on-chain checks to ensure fairness.
Mint pricing and limits per address are enforced by the smart contract to maintain integrity.
Minting is on the Base blockchain, using USD Coin (USDC) for payments to minimize fees and ensure stability. A small amount of gas is needed on Base (Base ETH) to complete the transaction.
Minting is best performed on a desktop browser with MetaMask or a similar wallet extension for optimal experience. Alternatively, if you're on mobile, open the wallet's built-in browser (e.g., MetaMask mobile app) to mint directly.
Other Collections
Punk AI




Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Remanence




Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.


