Trace · Token Detail
Trace #150
Each token in Trace combines real-world photography with line-based interpretation. Blueprint-style contours expand the imagery outward, revealing hidden geometries, implied structures, and conceptual extensions.
The result is a mixed-media print that feels both designed and discovered.
Token information
- Collection
- Trace
- Token ID
- #150
- Photographic Theme
- Botanical Fragment
- Line Interpretation
- Radial Diagram
- Collage Composition
- Offset Strip
- Line Density
- Perimeter Frame
- Colour Theme
- Warm Ochre Study
- Paper Texture
- Blueprint Film
- Annotations
- Guide Arrows
- Background Grid
- Isometric Grid
- Edge Treatment
- Deckled Impression
- Photo Tone
- Cool Shift
- Noise & Age
- Dust & Fibres
- Rarity
- Uncommon
Owner information
More from Trace
Other Collections
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.