一期一会 東京 (Tokyo Once) · Token Detail
一期一会 東京 (Tokyo Once) #123
一期一会 東京 (Tokyo Once) is a 1000‑piece generative fine‑art photo‑cinema collection inspired by the Japanese concept 一期一会 — Ichigo Ichie — “this moment exists only once.” The collection honors the beauty of fleeting connection and the memory of a love that shaped eternity. Each image is crafted in ultra‑realistic 1980s film‑grain photographic style: neon rain on wet pavement, cherry blossoms falling in blue hour light, silhouettes crossing bridges, empty shrine pathways, rooftop sunsets, and reflections moving like breath across glass and water. A tribute to Tokyo as the heart remembers it: quiet, luminous, unforgettable.
Token information
- Collection
- 一期一会 東京 (Tokyo Once)
- Token ID
- #123
- Subject
- Lone Figure Crossing Street
- Time / Light
- Late Night Last-Train Atmosphere
- Weather / Atmosphere
- Light Rain on Pavement
- Film Mood
- Warm 1980s Colour Film Grain
- Colour Palette
- Cool Teal and Deep Navy Night
- Composition / Depth
- Leading Lines from Street Markings
- Detail / Symbol
- Cluster of Vending Machines
- Rarity
- Common
Owner information
More from 一期一会 東京 (Tokyo Once)
Other Collections
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.