Manifesto
Spectra
64 Tokens
Spectra is a collection of long-exposure spectral fields — matter revealed as signature, held with museum restraint.
Matter revealed as light
Spectra treats the spectrum as evidence rather than illustration. Bands and lines appear against deep charcoal, held long enough to be examined. No axes, no grids, no legends: nothing instructive, nothing decorative.
Archival restraint
Each work is rendered with disciplined negative space, controlled bloom, and a calm noise floor. The image should feel archival — a plate from an instrument room, translated into quiet fine art without becoming a chart.
Regimes in tension
Hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys are placed side by side. The politics is not slogan or satire. It is comparison: warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through the structure of light.
Silence as clarity
Spectra refuses spectacle. No neon, no glitch, no sci-fi theatrics. Only the signature — and the silence around it.
Other Collections
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
Punk AI
Punk AI is a generative collection of rebellious machine-made abstractions: glitch, noise and digital interference rendered with a fine-art sensibility.