
Maria is a sacred fine-art collection depicting classical interpretations of Mary’s life, rendered in the
Renaissance style of Michelangelo's sculpture and fresco.



Each image in Maria is composed as a devotional artwork: marble-toned sculpture, fresco-like figures,
realistic Renaissance drapery, correct anatomy, modest poses, and symbolic attributes rooted in Catholic tradition.

Scenes include the Annunciation, Visitation, Nativity, Pietà, Pentecost, Assumption and Coronation —
as well as artistic interpretations of Marian apparition iconography (e.g., Lourdes, Fatima, Guadalupe)
expressed through classical visual motifs rather than literal depictions.

Christ appears only in canonical contexts, and angelic figures only where Scripture or tradition places them.
All works reflect reverence and sacred intention.



# A Classical Offering

Maria draws from the High Renaissance, where anatomy became poetry and faith became form.
Like Michelangelo’s Pietà or the Sistine frescoes, the collection seeks reverence, dignity and serenity.
It is not a record of events, but a meditation expressed through fine-art interpretation.

# Guided by Tradition

The scenes follow the Gospel and the Church’s devotional imagination: Annunciation, Nativity, Pietà,
Pentecost, Assumption, Coronation. Christ appears only where Scripture places Him. Angels appear
only where tradition affirms them. Apparition iconography is referenced symbolically, not literally.

# Beauty for Its Own Sake

Maria is not meant to instruct, but to illuminate. It is a work of love — a generative rosary,
a gallery of sacred moments sculpted in light and pigment, echoing the reverence of classical masters.



Maria is a classical fine-art interpretation of the life of Mary, Mother of Jesus —
rendered in the sculptural and fresco tradition of the High Renaissance.
Every piece reflects reverence, theological fidelity, and the contemplative beauty
associated with Michelangelo’s sacred art.

Scenes span from the Annunciation to the Assumption, including canonical moments where
Christ appears, and angelic presence only where Scripture and tradition place them.
Apparition iconography is represented artistically, not literally, with respect for each
tradition’s symbolism.


Maria

Annunciation

Visitation

Nativity

Presentation in the Temple

Flight into Egypt

Finding in the Temple

Pondering in Her Heart

Wedding at Cana

Hidden Life in Nazareth

Stabat Mater (at the Cross)

Consecration to God

The Pietà

Pentecost

Dormition of Mary

Assumption

Coronation as Queen of Heaven

Woman Clothed with the Sun

Immaculate Conception Iconography

Regina Coeli

Classical Madonna

European Marian Iconography

Our Lady of Lourdes

Our Lady of Fatima

Our Lady of Mount Carmel

Our Lady of Guadalupe (Renaissance Interpretation)

Our Lady of the Miraculous Medal

Our Lady of Sorrows

Our Lady of La Salette

Our Lady of Knock

Our Lady of the Rosary

Woman Clothed with the Sun Symbolism

Immaculate Conception (Baroque Iconography)

Regina Coeli Majesty

Marble Sculpture

Fresco Style Painting

Charcoal Study

Terracotta Sculpture

Renaissance Oil Pigment

Architectural Niche Composition

Lilies

Roses

Blue Mantle

White Veil

Golden Halo

Star on Mantle

Crescent Moon

Twelve-Star Crown

Heavenly Radiance

Cherubic Clouds

Regal Crown of Heaven

Soft Chiaroscuro

Warm Renaissance Light

Marble Glow

Temple Radiance

Subtle Divine Light

Heavenly Gold Aura

Dramatic Cloud Depth

Ascending Light

Crowned Heavenly Light

Advent Nights

Elements

Woman in Vogue

Redemption

一期一会 東京 (Tokyo Once)

Rise of the Soul

Super 7

Savanna Spirit

Girl Dinners

Inked

Vintage Interiors

Lithica

Katheros

Punk AI

Planktos

Worlds

Mama

Wonderland

Bugs

Infernalis

Dust

Toys

Fjords

Strobe

Refractions

Glitch

Chairs

Trace

Sonata

Caustic

Plastica

Impact

Spectra

Remanence

Jesus

Icon

Maria

777 Tokens

Scene

Apparition Style

Medium

Symbols

Atmosphere