Manifesto
Maria
777 Tokens
Maria is a devotional exploration of sacred art — a tribute to the Mother of Jesus through classical form.
A Classical Offering
Maria draws from the High Renaissance, where anatomy became poetry and faith became form. Like Michelangelo’s Pietà or the Sistine frescoes, the collection seeks reverence, dignity and serenity. It is not a record of events, but a meditation expressed through fine-art interpretation.
Guided by Tradition
The scenes follow the Gospel and the Church’s devotional imagination: Annunciation, Nativity, Pietà, Pentecost, Assumption, Coronation. Christ appears only where Scripture places Him. Angels appear only where tradition affirms them. Apparition iconography is referenced symbolically, not literally.
Beauty for Its Own Sake
Maria is not meant to instruct, but to illuminate. It is a work of love — a generative rosary, a gallery of sacred moments sculpted in light and pigment, echoing the reverence of classical masters.
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Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.
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Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.