Manifesto
Maria
777 Tokens
Maria is a devotional exploration of sacred art — a tribute to the Mother of Jesus through classical form.
A Classical Offering
Maria draws from the High Renaissance, where anatomy became poetry and faith became form. Like Michelangelo’s Pietà or the Sistine frescoes, the collection seeks reverence, dignity and serenity. It is not a record of events, but a meditation expressed through fine-art interpretation.
Guided by Tradition
The scenes follow the Gospel and the Church’s devotional imagination: Annunciation, Nativity, Pietà, Pentecost, Assumption, Coronation. Christ appears only where Scripture places Him. Angels appear only where tradition affirms them. Apparition iconography is referenced symbolically, not literally.
Beauty for Its Own Sake
Maria is not meant to instruct, but to illuminate. It is a work of love — a generative rosary, a gallery of sacred moments sculpted in light and pigment, echoing the reverence of classical masters.
Other Collections
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Katheros
Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.