Manifesto
Fjords
333 Tokens
Fjords is an ode to atmosphere — the art of weather, light and geological silence.
The North Speaks in Weather
In fjords, mountains and water are only half the story. The rest is atmosphere: fog threading through cliffs, storms sculpting the horizon, sunlight breaking through cloud-walls, snow drifting across dark water. Fjords is built to honour this language.
Realism as Reverence
These images are not fantasy. They are grounded in the physics of light scattering, water reflectivity, glacial geology and storm formation. Beauty arises from truth — the way it does in real photography.
A Place to Stand
Fjords is not just a collection of landscapes; it is a series of moments.
Moments where the world feels vast, quiet, dangerous, holy.
Moments you could step into and feel the cold air move against your skin.
Other Collections
Dust
Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.