Fjords · Token Detail
Fjords #113
Each Fjords token is a complete cinematic landscape: mountain walls, deep water, atmospheric layers, realistic clouds, snow or rain, and light behaviour consistent with high-end photography.
Scenes include dawn mist, heavy storm fronts, lightning strikes, aurora nights, winter whiteouts, and glass-calm golden hours. Human presence — a cabin, a ship, a road — appears rarely and subtly.
The result is an intimate portrait of northern wilderness, captured as if by a travelling photographer.

Token information
- Collection
- Fjords
- Token ID
- #113
- Time of Day
- Dawn Glow
- Season
- Summer Clarity
- Atmosphere
- Clear & Crisp Air
- Fjord Composition
- Sheer Cliff Walls
- Human Presence
- None
- Camera POV
- Shoreline View
- Rarity
- Common
Owner information
More from Fjords
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Dust




Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.


