Elements · Token Detail
Elements #282
Elements is a 444-piece generative art NFT collection that treats the four classical elements as pure motion. Each artwork depicts waves of earth, air, fire or water — sometimes fusing together — rendered as photorealistic, ultra-detailed digital images. The focus is on fluid dynamics, texture and light: sand shaped by wind into sweeping curves, smoke spiralling in the dark, flames twisting like ribbons, and ocean water crashing in frozen arcs. No people, no cities, only the raw beauty of elemental forces moving through space.
Token information
- Collection
- Elements
- Token ID
- #282
- Wave Shape
- Cresting Arc Wave
- Environment
- Night Sky Suggestion
- Motion Mood
- Calm Flowing Motion
- Lighting
- Neutral Studio Light
- Colour Mood
- Muted Monochrome
- Symbol
- Subtle Geometric Lines
- Rarity
- Common
Owner information
More from Elements
Other Collections
Icon
Icon is a body of work about symbols — how colour and form can carry meaning without words.
Each piece feels like a sign encountered rather than explained: bold shapes held in balance, strong colours standing with confidence, moments that register instantly and remain quietly present.
Across the collection, love appears sparingly, like a signal sent with intention — changing the feeling of the image without overwhelming it.
Glitch
Glitch is a chronicle of generative destruction — a moment where order dissolves and creation is forced to rewrite itself.
Each image captures the instant a system breaks open, revealing the raw mechanics of collapse: torn planes, corrupted colour,
fractured geometry and unstable architectures dragged through the turbulence of a failing render.
This is not destruction as decay, but destruction as generation: new forms born through rupture, error and computational stress.
Glitch is the story of a machine unmaking itself — and in doing so, discovering unexpected beauty in the wreckage.
Remanence
Remanence is a study of the human face recorded as light over time.
Each work depicts a recognisably human facial form rendered as a sparse spatial point cloud and subjected to long‑exposure spectral recording. Motion across the exposure produces temporal echoes — red‑shift and blue‑shift afterimages that reveal the face at different moments in time.
These are not portraits. They are residual impressions: what remains of form once time, movement, and wavelength have been allowed to interfere.