Dust · Token Detail
Dust #310
Each Dust token is a unique chalk composition built from layered forms: faint circles, rigid lines, drifting arcs, soft pastel blocks and erased traces. The textures mimic real paper and real pigment — pressure marks, smudges, ghost lines and powdered residue.
The collection balances strict geometry with human irregularity, producing works that feel both mathematical and handmade: blueprints for something that might exist only in the imagination, or memories of drawings left overnight on a studio table.

Token information
- Collection
- Dust
- Token ID
- #310
- Geometry
- Infinite Chalk Mandala
- Color Accents
- Red-Ember Chalk
- Paper Texture
- Archival Chalkboard Sheet
- Composition
- Dustfall Collapse
- Motion / Erasure
- The Erased Diagram
- Rarity
- Legendary
Owner information
More from Dust
Other Collections
Katheros




Katheros is a generative fine-art collection of ink-based geometric compositions — pure lines, sacred shapes and interference patterns rendered with mathematical clarity and quiet aesthetic restraint.
Trace




Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.


