Caustic · Token Detail
Caustic #261
Each token features a simple geometric form — often a circle or square — set against a soft neutral field. The form is then attacked by caustic forces: acid-burnt edges, blistered gradients, dissolved pigment, and harsh corrosive streaks of light.
The contrast between purity and destruction defines every piece.

Token information
- Collection
- Caustic
- Token ID
- #261
- Geometry
- Circle
- Palette
- Red on Beige
- Corrosion Type
- Edge Burn
- Light Caustics
- Diagonal Etch Lines
- Surface Texture
- Smooth Paper
- Rarity
- Common
Owner information
More from Caustic
Other Collections
Chairs




Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Spectra




Spectra is a study of matter revealed as light.
Each work is rendered as a long-exposure spectral field — a restrained, museum-grade image where compounds and materials appear as bands and lines held against deep charcoal. These are not diagrams. There are no axes, grids, labels, or legends. Only the quiet evidence of a signature.
Across the collection, four regimes are held in tension: hydrocarbons, nuclear fuels, clean-energy materials, and metal alloys. The politics is embedded in comparison, not slogans — warmth versus precision, diffusion versus containment, abundance versus legacy — expressed only through light.
Dust




Dust is a study in chalk, pigment and breath — abstract forms arranged like quiet mathematics.
Circles, lines and woven geometries drift across soft paper textures, fading at the edges as if they were drawn and erased a hundred times before settling into their final shape. Some pieces feel like blueprints, others like constellations or half-remembered maps, but all of them carry the same powdered calm: the hush of chalk hanging in the air.


