Bugs · Token Detail
Bugs #140
Every Bugs token is built from traits that describe a photographic situation: the species in view, the surrounding environment (flower, leaf, moss, bark, water edge), the time of day and lighting, the insect's pose, the focus point and depth of field, and any surface details such as dew or pollen.
The visual style is strictly ultra-realistic macro photography. Insects must be anatomically correct for their species: the correct number of legs, accurately placed antennae, proper segmentation, believable wing structure and realistic eyes and mouthparts. Backgrounds fall away into soft bokeh, while the subject is rendered with crisp, clean detail. Each image aims to feel like a real photograph you could have taken by lying in the grass and waiting for the right moment.
Token information
- Collection
- Bugs
- Token ID
- #140
- Species
- Ant (Worker)
- Environment
- Flower Petal
- Time of Day
- Bright Midday
- Lighting
- Filtered Light Through Leaves
- Focus and Lens
- Head and Thorax in Focus
- Surface Detail
- Subtle Hair and Texture Highlights
- Rarity
- Common
Owner information
More from Bugs
Other Collections
Caustic
Caustic is a study in purity under assault. Minimal geometric forms — circles, squares, bars, planes — placed against soft neutral fields. Perfect shapes eroded by chemical light, corroded edges, pigment burn, structural decay, and caustic dissolution.
Every token is a meditation on tension: order versus breakdown, geometry versus entropy, serenity versus corrosion. A single shape becomes a battlefield for chemical destruction.
Chairs
Chairs is a study in sculptural absurdity: a museum-grade exploration of chairs that push beyond functional design into expressive, impractical, and architecturally playful form.
Each work is a hyper‑photorealistic portrait of a chair behaving more like a sculpture: a seat that bends too far, loops into itself, contradicts its own engineering, or performs gestures no practical furniture would ever attempt.
The result is a collection where fine‑art photography meets conceptual design, blurring the boundary between object, artwork, and architectural experiment.
Trace
Trace is a study of perception — a hybrid visual language where photographic fragments become architectural diagrams, and linework reveals the hidden structure inside the world.
Each artwork begins with real photographs: textures, objects, architectural details, or natural fragments. These images are arranged as intentional collages — quiet, asymmetric, evocative. Over them, precise linework unfolds: topographic contours, orthographic projections, and geometric extrapolations that reinterpret the photograph’s form.
Trace sits between blueprint and sketchbook, between fine-art print and architectural analysis. It is a dialogue between what is seen and what is understood.